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Fra Bartolommeo
Resurrected Christ with Saints
1516
Palazzo Pitti, Florence
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Fra Bartolommeo
The Holy Family with the Infant St. John in a Landscape
John in a Landscape
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Fra Bartolommeo
The Annunciation with Saints Margaret Mary Magdalen Paul John the Baptist Jerome and Francis (mk05)
Wood 38 x 30 1/4(96 x 77 cm)Collections of Francois Iand Louis XIV;entered the Louvre in 1515-1530
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Fra Bartolommeo
The Mystic Marriage of st Catherine of Siena,with Eight Saints (mk05)
1511
Wood,101 1/4 x 90\'\'(257 x 228 cm)From the Collegiate Church in Autun;entered the Louvre in 1800 Inv
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Fra Bartolommeo
Annunciation (mk08)
c.1500
Oil tempera on wood
20x10cm
Florence,Galleria degli Uffizi
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Fra Bartolommeo
Portrait of Girolamo Savonarola
mk83
c.1498
oil on wood
53x47cm
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Fra Bartolommeo
altar piece of Carondelet
MK169
ca. 1511 Panel 255x229cm
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Fra Bartolommeo
Detail of The Virgin Adoring the Child with Saint Joseph
mk170
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Fra Bartolommeo
The Virgin Adoring the Child with Saint Joseph
mk170
Circa 1510
Oil on wood
137.8x104.8cm
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Fra Bartolommeo
Vision of St.Bernard
mk176
213.3x213.9cm
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Fra Bartolommeo
Europa and the Bull
1470-90 Bronze, height: 22 cm Museo Nazionale del Bargello, Florence Bellano, a sculptor from Padua was an assistant to Donatello when the old master worked on the pulpits of San Lorenzo in Florence. The statuette depicting Europa and the Bull was executed in Padua. The small bronze statuette reflects a naturalistic style heavily tempered in spirit by Donatello's classicism. Author: BELLANO, Bartolommeo Title: Europa and the Bull , 1451-1500 , Italian Form: sculpture , mythological
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| Fra Bartolommeo
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Italian c1474-c1517
Fra Bartolommeo Location
Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.
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